The open house takes place at ��ܽ����Ƶ’s Port Campus (1107 Marginal Rd, Halifax), from 5:30-7 p.m.

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“The Holiday Pop-Up is something we look forward to every year. ��ܽ����Ƶ students enjoy the opportunity to showcase their art, craft and design skills, while also meeting members of the community who come out to support local artists,” said Linda Hutchison, AVP University Relations, ��ܽ����Ƶ University. “It’s also a chance for all of us to buy local this holiday season. And not just local, but handmade and student-made. These are truly unique, one-of-a-kind gift ideas.”

The ��ܽ����Ƶ Holiday Pop-Up takes place at the Art Bar +Projects (1873 Granville Street, Halifax, NS). It starts on Friday, December 6, going from 5 p.m. to 9 p.m. It continues on Saturday, December 7, running from 10 a.m. to 4 p.m.

For more information on ��ܽ����Ƶ University events, visit nscad.ca.

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October 8 – 17, 2019
Opening receptions: Monday 7 October, 5:30 – 7PM

Public Picnic Table Prints
Charley Young, faculty organizer
Gallery 1
Community Picnic: Sat 12 Oct, 12 Noon 

Public Picnic Table Prints is a large-scale, collaborative printmaking project that exists to create a place of exchange between newcomers and other community members. In the Fall of 2018, participants worked together to design, carve, and print, site-specific woodcuts based upon the people and plants found in Glen Community Garden. This project was created as a part of ‘Welcome to this Place’, presented by Mabelle Arts in partnership with Immigrant Service Association of Nova Scotia.

Nova Scotia Art Bank 2019 Purchase
Galleries 2 & 3

Arts Nova Scotia is unveiling the Nova Scotia Art Bank purchases for 2019. Since 1975, the Nova Scotia Art Bank Program has encouraged the development of artistic excellence and stimulated awareness of visual arts and fine craft among Nova Scotians and visitors. This has been accomplished through the acquisition, development, maintenance and display of a working collection of professional Nova Scotian art. Works are added to the collection annually through a peer selection committee, composed of established artists, who review all applications and select works to purchase based on artistic merit.

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Craig Leonard – The Halifax Conference
Book launch and performance

The Halifax Conference presents a transcript of a conference held at the Nova Scotia College of Art and Design on October 5–6, 1970, transcribed and adapted by artist Craig Leonard.

Organized by Seth Siegelaub, the Conference was conceived as a means of bringing about a “meeting of artists…[from] diverse art making experiences and art positions…in as general a situation as possible.” Infamously, the conference was held in the college’s boardroom, while students and other interested parties watched the proceedings on a video monitor in a separate space. The result was a conversation that devolved—technologically and ideologically—into a quasi-tragicomic farce, punctuated by remarkable moments of rupture initiated by activist resistance to the Conference from the outside and dissenting voices from within.

Attendees at the Conference included Carl Andre, Joseph Beuys, Ronald Bladen, Daniel Buren, Gene Davis, Jan Dibbets, Al Held, Mario Merz, Robert Morris, Robert Murray, N.E.Thing Co. (Iain and Ingrid Baxter), Richard Serra, Richard Smith, Robert Smithson, Michael Snow, and Lawrence Weiner.

Thursday, October 3, 7 p.m.
Fountain Campus D500

Margaret Atwood – Live stream at ��ܽ����Ƶ

Join us for a live stream viewing of Margaert Atwood’s sold out talk, “Author’s Stage: The Testaments by Margaret Atwood”,  that is being held on the same night at the Halifax Central Library.

Saturday, October 5, 1- 3 p.m.

Walking Kepe’k

Honour Mi’kmaq History Month in an on-foot experience of the Turtle Grove, Tufts Cove and Shannon Park areas of North Dartmouth. Walking Kepe’k will introduce participants to these sites and will proceed to a gathering with honoured guests. The intention of Walking Kepe’k is to make visible the history that is around by establishing meaningful dialogue and relationships with the Mi’kmaq community. We are grateful for the assistance and participation of Mi’kmaq Elders, Catherine Martin and Joe Michael, and ��ܽ����Ƶ students, Kassidy Bernard and Mark Sark, and to the Millbrook First Nation, on whose territory we will all gather at the conclusion of the walk. We hope you will join us for this meaningful event.

A charter bus departing from the Fountain Campus is arranged to transport ��ܽ����Ƶ students and attendees to and from the sites in North Dartmouth.

RSVP is required as space is limited.

To request more information, or to reserve a spot on the bus please send an email with “BUS RSVP – WALKING KEPE’K” in the subject line to: ohoganfinlay@nscad.ca

Save the Date

OCT 17: ARTIST TALK, Layne Hinton, 6 PM, Port Campus (P214)
OCT 17: BOOK LAUNCH, Dr. Karin Cope & Anne Simpson, 5-7 PM, Art Bar
OCT 19: PORTFOLIO DAY, 8 AM-4 PM, ��ܽ����Ƶ Campuses + Art Bar
OCT 24: ARTIST TALK, David Harper, 5:30 PM, Art Bar
OCT 25: RESEARCH-CREATION TALK, Jan Peacock 12 PM, Art Bar
NOV 1: RESEARCH-CREATION TALK, May Chung, 12 PM, Art Bar
NOV 1: ENVIRONMENTAL DESIGN WORKSHOP, 1:30-5 PM, Art Bar

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White Work  — Mark Mitchell
visiting artist, with support from Arts Nova Scotia  — Gallery 1
Artist Talk: Wednesday, August 14, 12 Noon

Mark Mitchell uses fine dressmaking and millinery techniques to make highly realized sculptures that tell stories, mourn, and memorialize often using the tropes of funeral traditions. He exhibited his last large body of work in 2013 in a solo exhibition at the Frye Art Museum. Burial dealt with issues of mortality and mourning through burial garments. White Work takes on mourning in a different form, with activist intention.

Based in Tucson Arizona, Mark Mitchell’s contributions span art, music, and theater. His magnum opus, Mark Mitchell: Burial, a performance and installation, was showcased in a solo exhibition at the Frye Art Museum, 2013, to critical and popular acclaim. In November 2016, Burial was presented in a solo exhibition in Beirut, Lebanon. Mitchell was shortlisted for the Neddy Artist Award at Cornish, 2015, for the Artist Trust Arts Innovator Award, 2016 and 2017 and was the recipient of the Kayla Skinner Award, Betty Bowen Committee, Seattle Art Museum, 2016. His work is in public and private collections, including that of the Frye Art Museum.August 13 – 17, 2019
Opening reception: Monday, August 12, 5:30 – 7PM
Anna Leonowens Gallery, 1891 Granville Street

here nor there
Kayza DeGraff Ford, Excel Garay, Natasha Grenke & Zoë Newell
undergraduate exhibitors — Gallery 2

Four painters will explore modes of non-traditional portraiture in here nor there. Painting is a medium that calls into question reality versus reinterpretation, as the act of constructing an image becomes inescapably personal. Is a painting more or less authentic due to its inherent subjectivity? A variety of contemporary portrait methods will be on display, creating a diverse conversation involving the renegotiation of images.Splurge
Alexandra Gasparis
undergraduate exhibitor— Gallery 3

With a fondness for material that has outlived its intended use, Gasparis collects textures, colors, and form. Material is manipulated and juxtaposed to create playful, vibrant pieces that serve as adornment, small-scale furniture, and sculpture.

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White Work  — Mark Mitchell
visiting artist, with support from Arts Nova Scotia  — Gallery 1
Artist Talk: Wednesday, August 14, 12 Noon

Mark Mitchell uses fine dressmaking and millinery techniques to make highly realized sculptures that tell stories, mourn, and memorialize often using the tropes of funeral traditions. He exhibited his last large body of work in 2013 in a solo exhibition at the Frye Art Museum. Burial dealt with issues of mortality and mourning through burial garments. White Work takes on mourning in a different form, with activist intention.

Based in Tucson Arizona, Mark Mitchell’s contributions span art, music, and theater. His magnum opus, Mark Mitchell: Burial, a performance and installation, was showcased in a solo exhibition at the Frye Art Museum, 2013, to critical and popular acclaim. In November 2016, Burial was presented in a solo exhibition in Beirut, Lebanon. Mitchell was shortlisted for the Neddy Artist Award at Cornish, 2015, for the Artist Trust Arts Innovator Award, 2016 and 2017 and was the recipient of the Kayla Skinner Award, Betty Bowen Committee, Seattle Art Museum, 2016. His work is in public and private collections, including that of the Frye Art Museum.August 6 – 10, 2019
Opening reception: Tuesday, August 6, 5:30 – 7PM
Anna Leonowens Gallery, 1891 Granville Street

A Lack, A Look, A Lark
Luke Mohan & Gabi P.S., undergraduate exhibitors — Gallery 2
Artist Talk: Friday, August 9, 1PM

A Lack, A Look, A Lark presents a synthesis of sculpture, drawing, and installation that cultivates Mohan and P.S.’s interest in humour, poetry and story-telling. Mohan and P.S. wish to share their fondness for characters and amusement, and to reinvigorate elements of curiosity and magic into the gallery.QUEER WORKS
Arjun Lal, undergraduate exhibitor — Gallery 3
Artist Talk: Thursday, August 8, 12 Noon

Lal offers, “As a queer artist, I feel pressure to constantly shape my work to fit within heteronormative spaces and audiences. Reviewing and editing has always played a big role with how I present myself and when choosing ideas to share. The creation of my alternative-ego, Vagine, has allowed me to let my guard down and share other parts of myself in a safer space. I think its important to recognize that public spaces are mostly heteronormative which makes additions of queer content challenging.”

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White Work  — Mark Mitchell
visiting artist, with support from Arts Nova Scotia  — Gallery 1
Artist Talk: Wednesday, August 14, 12 Noon

Mark Mitchell uses fine dressmaking and millinery techniques to make highly realized sculptures that tell stories, mourn, and memorialize often using the tropes of funeral traditions. He exhibited his last large body of work in 2013 in a solo exhibition at the Frye Art Museum. Burial dealt with issues of mortality and mourning through burial garments. White Work takes on mourning in a different form, with activist intention.

Based in Tucson Arizona, Mark Mitchell’s contributions span art, music, and theater. His magnum opus, Mark Mitchell: Burial, a performance and installation, was showcased in a solo exhibition at the Frye Art Museum, 2013, to critical and popular acclaim. In November 2016, Burial was presented in a solo exhibition in Beirut, Lebanon. Mitchell was shortlisted for the Neddy Artist Award at Cornish, 2015, for the Artist Trust Arts Innovator Award, 2016 and 2017 and was the recipient of the Kayla Skinner Award, Betty Bowen Committee, Seattle Art Museum, 2016. His work is in public and private collections, including that of the Frye Art Museum.August 6 – 10, 2019
Opening reception: Tuesday, August 6, 5:30 – 7PM
Anna Leonowens Gallery, 1891 Granville Street

A Lack, A Look, A Lark
Luke Mohan & Gabi P.S., undergraduate exhibitors — Gallery 2
Artist Talk: Friday, August 9, 1PM

A Lack, A Look, A Lark presents a synthesis of sculpture, drawing, and installation that cultivates Mohan and P.S.’s interest in humour, poetry and story-telling. Mohan and P.S. wish to share their fondness for characters and amusement, and to reinvigorate elements of curiosity and magic into the gallery.QUEER WORKS
Arjun Lal, undergraduate exhibitor — Gallery 3
Artist Talk: Thursday, August 8, 12 Noon

Lal offers, “As a queer artist, I feel pressure to constantly shape my work to fit within heteronormative spaces and audiences. Reviewing and editing has always played a big role with how I present myself and when choosing ideas to share. The creation of my alternative-ego, Vagine, has allowed me to let my guard down and share other parts of myself in a safer space. I think its important to recognize that public spaces are mostly heteronormative which makes additions of queer content challenging.”

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Preparation Suites  — Celeste Cares & Alex Sutcliffe, undergraduate exhibitors — Gallery 1

Celeste Cares paints a mushy, girlish muse in various states of activity. Applying lipstick; combing hair; spilling coffee – these states of getting ready prove to be messy, chaotic, and fun. Alex Sutcliffe’s oil paintings abstract figures and forms in nebulous, unreal landscapes. Muted colours and rich brushwork reveal hazy figures that wait, withdraw, and dance in a visualized space of existential malaise, suspended on a stage where they prepare for nothingness.July 17, 2019
Noon Talk
Anna Leonowens Gallery, 1891 Granville Street

Ocean Treasures: Anthropocene Artifacts —
Jennifer McLatchy, IDPhD Candidate— Gallery 2A

Artist-researcher Jennifer MacLatchy combs shorelines in Nova Scotia by kayak and by foot, searching for and collecting marine debris, or, anthropocene era artifacts. This exhibition is a museum-like display of artifacts that have been documented and preserved with great care in order to study the relationship between humans and the ocean in a time of great change and loss. This work is an enactment of small acts of great care aimed at addressing massive and overwhelming environmental problems. In doing this, it engages with feelings of futility, grief, and maybe hope.Not Place
Heather Murray & Caitlin Secondcost, organizers — Gallery 3

This exhibition presents paintings, sculptures and audio works by Heather Murray, Caitlin Secondcost, Lauren Hodder, Jennifer Litsas, Bryson Mckenzie, Hila Peleg, Kizi Spielmann Rose, Anna-Lisa Shandro, Mitchell Wiebe and Twyla Zoe.

Exhibition: July 9 – 20, 2019

Alcuin Awards for Excellence in Book Design in Canada, travelling exhibition  — Gallery 2B

The Alcuin Society has announced the 2018 winners of its annual winning books, which will be exhibited in Germany at the Frankfurt and Leipzig Book Fairs; at the Canadian Embassy in Tokyo; and in nine Canadian provinces. The Alcuin Society is a Vancouver based non-profit society for the support and appreciation of fine books. For more information and list of winners visit

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Preparation Suites  — Celeste Cares & Alex Sutcliffe, undergraduate exhibitors — Gallery 1

Celeste Cares paints a mushy, girlish muse in various states of activity. Applying lipstick; combing hair; spilling coffee – these states of getting ready prove to be messy, chaotic, and fun. Alex Sutcliffe’s oil paintings abstract figures and forms in nebulous, unreal landscapes. Muted colours and rich brushwork reveal hazy figures that wait, withdraw, and dance in a visualized space of existential malaise, suspended on a stage where they prepare for nothingness.July 17, 2019
Noon Talk
Anna Leonowens Gallery, 1891 Granville Street

Ocean Treasures: Anthropocene Artifacts —
Jennifer McLatchy, IDPhD Candidate— Gallery 2A

Artist-researcher Jennifer MacLatchy combs shorelines in Nova Scotia by kayak and by foot, searching for and collecting marine debris, or, anthropocene era artifacts. This exhibition is a museum-like display of artifacts that have been documented and preserved with great care in order to study the relationship between humans and the ocean in a time of great change and loss. This work is an enactment of small acts of great care aimed at addressing massive and overwhelming environmental problems. In doing this, it engages with feelings of futility, grief, and maybe hope.Not Place
Heather Murray & Caitlin Secondcost, organizers — Gallery 3

This exhibition presents paintings, sculptures and audio works by Heather Murray, Caitlin Secondcost, Lauren Hodder, Jennifer Litsas, Bryson Mckenzie, Hila Peleg, Kizi Spielmann Rose, Anna-Lisa Shandro, Mitchell Wiebe and Twyla Zoe.

Exhibition: July 9 – 20, 2019

Alcuin Awards for Excellence in Book Design in Canada, travelling exhibition  — Gallery 2B

The Alcuin Society has announced the 2018 winners of its annual winning books, which will be exhibited in Germany at the Frankfurt and Leipzig Book Fairs; at the Canadian Embassy in Tokyo; and in nine Canadian provinces. The Alcuin Society is a Vancouver based non-profit society for the support and appreciation of fine books. For more information and list of winners visit

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Alcuin Awards for Excellence in Book Design in Canada
travelling exhibition  — Gallery 2B

The Alcuin Society has announced the 2018 winners of its annual winning books, which will be exhibited in Germany at the Frankfurt and Leipzig Book Fairs; at the Canadian Embassy in Tokyo; and in nine Canadian provinces. The Alcuin Society is a Vancouver based non-profit society for the support and appreciation of fine books. For more information and list of winners visit July 9 – 13, 2019
Opening reception: Monday, July 8, 5:30 – 7PM
Anna Leonowens Gallery, 1891 Granville Street

JIAN — Koei Kao
MFA Thesis Exhibition — Gallery 1

Kao’s MFA thesis exhibition explores concepts of negative space, translation between human race and animal species in embossing works, and ink and oil paintings. Emphasis on negative space and breathing rooms through transparent embossed text pieces and Xieyi paintings, the artist draws attention to the distance created through every translation and an ESL interpretations. These works invite viewers to engage with further translations that go beyond the artist’s lenses. How much or how less is needed for us to communicate? How long does it take to see a creature?North Block — Rachel Anzalone
graduate exhibitor — Gallery 2A

During her studies at ��ܽ����Ƶ, Rachel Anzalone traveled up and down the North Block stairway, continuously leaving from and arriving at her studio. She noticed paint chips bubbling and departing from the walls. With curiosity, she peeled the chips, only to discover the layers of paint underneath. With sheets of mylar, acrylic paint, and the paint chips collaged together, Anzalone has documented a piece of the building’s history and someone’s attempt at patching up the walls.

On Thursday, June 20th at 9:30PM, the artists will host a brief discussion followed by a musical performance as Tangent at Art Bar +Projects.Clifton Deposits — Sage Sidley
graduate exhibitor — Gallery 3

This exhibition explores digital and physical location-based data collection and its influence on experiencing place. Sidley’s interdisciplinary drawing research concerns the intangible transformation of public and semi-public spaces into digital data harvesting sites and the proliferation of social surveillance practices. The gallery space will swarm with forms such as: found objects and notes, drawings, prints, and sculptures to investigate the traces of these unseen influences.

On Thursday, June 20th at 9:30PM, the artists will host a brief discussion followed by a musical performance as Tangent at Art Bar +Projects.

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